67th National Film Awards: Kangana Ranaut Over Parvathy, Deepika Padukone? No Kumbalangi Nights, No

Special Mention: Aashiq Abu's ode to healthcare workers in Virus, a smashing Manju Warrier from Asuran, Anna Ben's heart-wrenching performance in Helen.

The 67th National Film Awards were announced yesterday and "you can’t make everyone happy," as they state each year. Kangana Ranaut won for Panga and Manikarnika: The Queen of Jhansi, Manoj Bajpayee won for Bhonsle, Priyadarshan, Mohanlal's Marakkar, and Mahesh Babu's Maharshi were some of the prominent winners. Therefore, what's the problem, you might wonder? Thus, let's begin with this specific Bollywood news section.

After the announcement of the winners, there's been a ton of questions are perplexing. Let us begin with these and then examine the movies which were about the jury's recap but did not win for many different factors.

Given that Manikarnika and Panga were released in different years, how can Kangana Ranaut win for both films?

That is because regardless of the fact that both movies were released about a year apart (Manikarnika on January 25, 2019, and Panga on January 24, 2020), both acquired censor certificates at precisely the exact same calendar year, i.e. 2019. The Central Board of Film Certification (CBFC) accredited Manikarnika on January 21, 2019, whilst Panga obtained the certification on December 30, 2019.

How does the process of National Film Awards works?

The filmmakers should send their movies to the board inside a certain time period. From the above instance, the deadline for submitting the movies premiered on February 17, 2020, therefore Zee Studios and Fox Star India managed to create them qualified to win. Because of this, it is completely possible that a specific production house has not submitted a picture from the list below.

Why Ajay Devgn’s Tanhaji: The Unsung Warrior is not on the list?

In and of itself, is another article. Hold your breath!

Now that we have explained the fundamental questions and comprehend the process, let us look at the listing of movies that a few of you might think should have won instead.

Chhapaak

Despite my doubts concerning Meghna Gulzar's implementation, I believe Deepika Padukone's depiction of an acid assault survivor deserved more attention. Could it be a much better option for the best actress award than Kangana Ranaut? Would things have turned out differently if she had not seen JNU during the protests this past year? There are a few hot topics that have definitely been debated on social media websites (if not, here we go!).

Gully Boy

Can there be no mention of this anywhere? I know there are over three dozen individuals picking movies from tens of thousands of possibilities, but Gully Boy, starring Ranveer Singh and Alia Bhatt,' surpassed' in many regions to make a mention in a minimum of one of these. The script by Reema Kagti and Zoya Akhtar, the dialogues by Vijay Maurya, the cinematography by Jay Oza, along with the editing with Nitin Baid was just a couple of branches that might have shone brightly.

Kumbalangi Nights

This jewel from Madhu C Narayanan would be the most heartbreaking snub of this day. There is something called "releasing in the wrong year," and there certainly were lots of great Malayalam movies that won awards this past year. My heart is attracted to the healthiest film that the human race has ever noticed. Snubbing Fahadh Faasil's achievement in this must likewise ha to be declared an offence.

Sonchiriya

The objective of winning the best movie is debatable against Chhichhore, which can be laced with a couple of beautiful performances from the whole cast. Both, while being diametrically opposed, served the role of providing amusement in their various types. Even though Chhichhore had an edge as a whole, it had some fantastic performances from Manoj Bajpayee, Ranvir Shorey, Ashutosh Rana, also Bhumi Pednekar, had been vying for the award for the best actor in a supporting character.

Uyare

Acid attacks are an issue in our culture for decades, and theatre has just recently started to deal with it. Uyare by Parvathy Thirovothu was a version of feminine empowerment. Otherwise, for the very best movie, Parvathy could have been a strong contender for the best actor. And who will forget Zuby Johal and Rajiv Subba's prosthetics and make-up?

Badla

Sujoy Ghosh's revenge play had its merits, despite being an official version of The Brand New Guest. We are all comfortable with the tradition of not rewarding remakes, but this one stood out. The existence of Amitabh Bachchan and Taapsee Pannu not just bolstered the acting section but also distinguished it in the first. Thematically, Ghosh's connection to the epic Mahabharata was a welcoming inclusion to the storyline.

Moothon

You cannot say you have never heard of Geethu Mohandas' Moothon. Anurag Kashyap's movie received a great deal of focus and has been well-marketed. Nivin Pauly was the guy who made the movie, whatever it is. His devotion and transformation left him a place on the list of champions. Sanjana Dipu, a child artiste who awakened the play added to the charm, wasn't listed. Roshan Mathew's deep eyes could not create the magic happen?

Photograph

The raw soul of Mumbai's roads was seized by Tim Gillis and Ben Kutchins' camera. Much like Jay Oza's effort in Gully Boy, this movie's de-glam approach into the city was filled with small but intriguing particulars.

Article 15

This movie wasn't even submitted to the board to get thought, in my estimation. But if Anubhav Sinha really sent it and it's not being considered for some of those groups, then you certainly have the problem that you raised in the very first paragraph of the article. The story of Gaurav Solanki and Anubhav Sinha made a powerful statement without sugarcoating any reality. This is a shocking yet crucial view, but we will not know whether it was considered to get one category (or if it had been filed).

Mission Mangal

Regardless of the flaws in the movie, Vidya Balan shone brightly. This movie also follows the regular trend of getting National Awards. This might have to place Pallavi Joshi's depiction of a historian at The Tashkent Files, where she won the award for Best Supporting Actress, in peril.

Section 375

Yet another underrated gem of 2019 -- Ajay Bahl's Segment 375 -- enters the record of contentious films (Chhapaak, Article 15). I am not sure what category that should have got or gotten a particular mention, but I really do want to admit its impact on "cinema beyond amusement."

Mardaani 2

Alright, I have included this exclusively for Vishal Jethwa's. This can also be a petition to whomever it'll concern: as well as honouring the introduction directors, let's respect the debutant celebrities in the movie. If just Vishal had gotten a special mention because of his unflinchingly frank performance in this movie.

Special Mention: Aashiq Abu's ode to health care employees in the Virus, a great Manju Warrier at Asuran, also Anna Ben's tragic success in Helen.

Writer’s Note: If you have made it this far, thank you. If you have skipped to this particular part, I'd love to thank you for clicking. The movies listed above are only those who I think deserve to be contained at the 67th National Film Awards winner's list. I really don't mean to disparage people who have added this esteemed mention to their impressive portfolios.

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